Tang Tsz Wai Cheri graduated with a Bachelor of Fine Arts from RMIT University, Melbourne/ Hong Kong Art School and was named to the Dean's List in 2025. Inspired by the concept of synesthesia, her work creates multisensory experiences where touch, visual elements, and hearing intertwine, exploring the acoustic qualities of materials through installations. She transforms ceramics and industrial found objects into resonant sound bodies, uncovering the hidden sonic potential within everyday materials.

In 2025, Tang was honored with the Indige Studio Award, Augustus Owen Foundation Award, Boon LEE Award, Hearty Ceramics Award, the FRANZ Rising Star Scholarship, and is supported by soundpocket’s Artist Support Programme 2025–26. Her work was featured in a duo performance with Dmitry Po for Sonic Anchor #48: On that note at the McAulay Studio, co-presented by Contemporary Musiking Hong Kong and Hong Kong Arts Centre; the group exhibition Between Soul and Senses at CONTEMPORARY BY ANGELA LI; and the design festival deTour 2025, The Shape of Yearning presented by PMQ.

鄧芷蔚於澳洲皇家墨爾本理工大學/香港藝術學院取得藝術學士學位，並於2025年獲列入院長嘉許名單。她的創作以聯覺為靈感，融合觸覺、視覺與聽覺的多感官體驗，透過裝置藝術深入探索物料的聲學特性。她將陶瓷與工業現成品轉化為可發聲的共鳴體，挖掘日常材料中潛藏的聲音可能性。

2025年，她榮獲 Indige Studio Award、Augustus Owen Foundation Award、Boon LEE Award、Hearty Ceramics Award 與 FRANZ Rising Star Scholarship，並獲選參與聲音掏腰包「藝術家支援計劃 2025–26」。其作品展演包括：與 Dmitry Po 於香港藝術中心麥高利小劇場呈獻的二重奏表演《Sonic Anchor #48: On that note》（由現在音樂與香港藝術中心共同策劃）、於 CONTEMPORARY BY ANGELA LI 展出的群展《Between Soul and Senses》，以及入選 PMQ 元創方主辦的「deTour 2025」設計節《The Shape of Yearning》。